PUTSCH (United States)

1. Before moving on to the strictly musical, I want to thank you for your participation. -

P. Glad to do so, thanks for contacting me and listening to my music.

2. When and how was the Putsch formed? Why did you choose this name?

P. Putsch started with a Tascam DP-008EX digital recorder and a Shure SM58 that a friend gave me as a gift in 2016. It was tough, and I knew at that point that I wasn't going to stay like this forever. The options were limited, but it was what I could afford to work with. Finally, they gave me an older computer and some friends gave me advice on how to get started. It slowly came together as more gear became available and I recorded Demo I in 2020. The name is less politically inspired in the macro sense than most people seem to think. By calling it Putsch, I am affirming the current state of black metal and the people who think they have a say. It is little more than a rebellion of what some mistake for being “ trve ”. It's my way of saying "fuck you. I'm doing it my way." It's a middle finger.

3. How do you see Rural Black Metal in general within your country?

P. I see it few and far between. Projects start and end and it's hard to even bother to keep up. The lack of always having an Internet connection plays a big factor here. But if I were to talk about most American bands in general, it would be negative for the most part. There is little consistency with most of what is out there. Also, what a lot of kids pass off as rural or whatever is written and recorded in a suburb a mile from fast food places and strip malls. Unless they're waving rainbow flags and pretending someone cares about their shitty music. They are all full of shit. There's a Conway Twitty song that sums it up perfectly. He says, "Don't call him a cowboy until you've seen him ride, because that Stetson hat and fancy boots don't tell you what's inside..." If someone's dressing up and messing around, they try hard, I bet they're trash and I ignore it.

4. Ideologically speaking, are you an activist in a movement that promotes your traditions?

P. Putsch deals primarily with the history and traditions of the Ozark Mountains region in the US. There is a nationalist element to him and he strays at times, but there is an overbearing regionalist element that runs him. I keep my personal life separate from Putsch. It's hard to think of him as myself because I see him as separate from me. Almost like he works for Putsch and the idea dictates what needs to be done.

5. What can you tell us about demo II? Did they manage to achieve what you had in mind in relation to their final result?

P. During production of Demo II you were still green and trying to start a fire by rubbing two sticks together. It was never intended to be a demo, but the production was never going to be what I wanted. When I had a bunch of songs, I cut a handful and re-recorded them for Cursed. Progeny of rebel Saints , which was better articulated and had more specific direction. A small label in the US picked it up, and around six months later it was released as a split along with Cursed. Progeny of rebel Saints by Old Forest too. I'm happy with how it turned out, but obviously I've learned a lot in the last two years. 

6. Tell us a bit about the song “ Cult of lightning and sun ”.

P. I wrote most of the lyrics before I wrote music. The title is an obvious nod to S. Devi , but the song only touches briefly on the themes often associated with her outright. It's more about living in but not the modern world. This was around the time there were daily riots in every major US city. The media turned it into a positive and cracked down on dissidents. Meanwhile, we watched from the mountains and enjoyed life as normal. The first line is “We are the true aristocrats. We stink of cheap wine and chew the fat.” I am affirming that our way of life is correct. That is, a past life out of your system as much as possible. It doesn't have all the glamor and glitz of the urbanites, but we have so much more than that. We don't drive fancy cars or eat with fine cutlery. We're driving beat-up Chevys and drinking out of gallon jugs. We share little with them other than race and they have chosen their path in life. I highlighted this in various ways lyrically but also musically. There is a bridge with a small slide guitar part . It is rough and barely in tune. During this he mentioned that there is very little to save and not everyone is coming with us. But while they burn their own world, we'll toast to that, singing and dancing to songs our ancestors made up on the very hills we walk today. During the Outro, he made a note that this is only a brief moment in the eternal cycle. A golden age is looming on the horizon, and we hillbillies have a front row seat to the return of Baldr or Kalki ...whatever you want to call it.

7. Could you give us a brief review of the material published to date?

P. Since 2020, I have released four separate cassettes on four different labels. Demos I and II were very hard and a nightmare to work on. Looking back, I can't believe I had the patience for it. Technological deficiencies consumed most of my time and I had to learn to manage without having access to the Internet. When I had almost finished Cursed Progeny of rebel Saints , I had finally gotten a groove on and my friends were essential to get me there. It was a daily struggle where I was taking a few steps back and forth until then. All three tracks from The Everlasting Struggle were kind of unique and I was adjusting my approach and the gear I was using. Since I wasn't focused on a specific concept, I put them as a division. That it was a perfect place for them. I have been working on a full length for over a year now. Compared to the earlier material, it has a much clearer direction, but it is a far cry from the second wave influence that I started with. I've put in a lot more folk and country elements. I built a lap guitar steel with a 2x6" and a bunch of spare parts. That's the next thing to track. Sometimes I wonder if it's even "black metal" at this point. I'm not ready to post much more details, but I do have some demo tracks on the wind if people know where to look. 

8. What is your base of inspiration when you sit down to compose?

P. I always start the same. I play riffs on an acoustic while drinking alcohol and smoking or chewing tobacco. Sometimes I already have lyrics or a beat that I'm writing to. Other times I try to capture some fleeting idea in my head. The track " Nose Down and Call it a Night " started out as a test mix of harmonica and acoustic guitar after my fair share of drinks. If things don't click, I delete it and start from scratch. But it always starts with a drink, tobacco, and an acoustic.

9. How is the recording process used? (Traditional study or study at home).

P. Everything is recorded in my house. I often share mixes with friends of mine who spend a lot of time in the studios. But I record, mix and master everything myself in a little corner next to my wife's art station.

10. Let's talk about traditions... What traditions received from your ancestors are still active to date?

P. Many of the religious views I was raised with were left behind as a child. However, I still see things like speaking in tongues and dancing until you pass out from exhaustion at revivals and church services as truly spiritual, damn any strange looks you get. I have no respect for any Abrahamic way, but there are undeniable nuances and rituals that our people have been following for a long time in most Christian holidays in my region. Remove the foreign elements and you have European mysticism. This is part of the reason I wanted to include the anthem " I'll flying Away " at the close of " Nose Down and Call it a Night ", which is about Richard Russell/ Skyking . In practice, most of what my family observes and maintains rituals would be described as pagan. We observe cultural holidays like Christmas for children, but our focus is more on the solstices and the change of seasons. We also practice divination with runic workings and omens, but that's something we keep closed and secret for the most part. I hate guys who go out of their way to correct people by calling it Yule or Samhain or whatever. 

11. What labels were interested in representing the Putsch inside and outside the United States?

P. I talked about working with various labels at the beginning of it all. I found it difficult to work with most of them. A lot of guys seem to want their hand in people's art and I don't mind these guys. Old Forest and Analogue Terrorism were by far the easiest to work with and straightforward. I've put most tag purchases aside for now to focus on the full length and get it where it needs to be. Whatever tag you post will come with time. Cassette is my preferred format, but I get a lot of requests to release CDs. I'm not sure who I'm going to. It mainly depends on what the label is willing to do.

12. Are you preparing new material this year or next?

P. It is possible that the full version will be released next year. It depends on how soon it's finished and where you land in line when you get there. I don't want to rush things this time. Most of the bugs and crashes so far were caused by not taking my time. I start to leave the guitars behind and then write a new song or add another part here and there. But it will happen when it happens. 

13. What can you tell us about the separation of "The Law of Eternal Struggle" with Mahr ? 

P. There really isn't much to tell other than the backstory of how it happened. I have never been open about my identity until Analogue Terrorism called me and asked if I had any material that I was ready to publish. I had the three tracks that I had no plans for and I mentioned that we could split with Mahr . Knowing they didn't know who I was, I mentioned a nickname they knew me by and said to tell them I said hi. One of his friends was actually the guy who gave me the Tascam recorder I mentioned earlier. When he gave it to me, he predicted that our story together had many more pages to fill, although we wouldn't be seeing each other any time soon. So for me, it's hard not to believe that a prophecy was partially fulfilled there. From the art to the pressing, everything was on point and I was thrilled with the final product.

14. Let's talk about reading.

¿What writers have you visited lately?

P. My father read a lot of pulp westerns . I bought them by the box at garage sales so often that I could always pick and find a random Robert E. Howard or HP Lovecraft book here and there. I'm less drawn to history than I am to a good story, so most of what I'm drawn to is fiction. Cormac McCarthy's Blood Meridian and The Road that resonated with me like few other stories have. But if I could only recommend one book, it would be The Outlaws by Ernst Von solomon . Follow a Freikorps volunteer in post WWI Germany . I would be doing you a disservice by trying to explain more myself. You can find it in Arktos . 

15 Musically speaking. What Rural Black Metal projects would you recommend?

P. I don't listen to a ton of black metal that people haven't heard of. I think it's obvious that I listen to a lot of Peste Noire. Other than that, I like Bilskirnir , Dark Fury , Blood Libel , Odium Totus , Kvasir's Blood , Meinenwerfer , etc. I'm probably the worst guy to ask about what black metal to watch to be fair. I listen to country from the '40s and '90s more than anything else. George Jones, Merle Haggard , Johnny Paycheck and the devil, if you've never done it, give old Alan Jackson a try. Garth Brooks, George Straight , and Conway Twitty . I could spend all day on this list. Townes Van Zandt and a little whiskey sour mash can shake things up nicely. I also listen to old gospel songs that I remember singing at tent revivals on dirt roads as a child.

16. What action do you take in the face of the disgusting modern world and all the pestilence it brings?            

P. My personal life and Putsch are completely separate. What I would say to this question is that through Putsch I have had more opportunities to meet and engage with people that I probably wouldn't have met otherwise.

17. Where can we buy materials from the first releases?

P. As of now, all tapes are out of print. I've been through a popular website that hosts digital download sales several times, but this is obviously less than desirable. At any moment it could be shot down again. I plan to eventually suppress old material myself through a label, but right now I'm only concerned with writing and releasing new material. 

18. The covers of your releases are very interesting. Do you take care of the design?

P. Thank you. Yes, all the designs were made by me apart from the separation with Mahr . analogue Terrorism was behind it completely while working with the aesthetic of Bald Knobbers . The Balds The Knobbers were a group of vigilantes who tried to bring justice to the Ozarks in the 1880s and eventually became what they began to fight against. The history of the vigilantes and bushwhackers has become legend and tall tales at this point. I use photographs of them to capture and convey the history and spirit of the Ozarks as a kind of no man's land.

I thank you for your time Putsch and it is a great honor that you participate in the fanzine.

P. Yes, thanks for including me.

Mudrum (Italy)

 

The White Side of Darkness

1. Before starting with the strictly musical stuff, I want to thank you for being part of this first release called Visión-Furor-Ideal. magazine.

Thank you for contacting me for this interview and I am honored to be here to answer your questions as I am extremely proud to have been involved in this project!

2. How do you see the Black Metal NS movement until the current year?

mah... look honestly at the NS scene understood as a gender "label" under which groups and projects that have to do with National Socialist ideology are united (although defining the movement in such a simplistic way is very reductive in my opinion ) I still see it prosperous and full of many good ideas, like many young people, especially young people who are not afraid to take sides. Unfortunately, we all know very well how the world of music in general, and that of black metal in particular, these days is taking a disgusting turn, giving in to politically correct drifts that are not and cannot even be combined with what black is. metal. , that it was, and that it should continue to be. I don't want to give a history lesson, but we all know that black was born out of a desire to self-exile from the conventional world, creating a vivid antagonism to all that was commercial and marketable, thus also assuming something more than provocative and blasphemous connotations, it is now the fact that satanism and everything that gravitates around it from an antagonistic cult of good and therefore a character of belonging to certain scenes and subcultures has instead become a commodity for pop consumption. By now almost all pop and mainstream artists have more or less winked at a provocative pseudo-satanic imagery with explicit usurpations of symbology as always more socially accepted and almost justified in a measure of purely adolescent rebellion in the name of black sweatshirts . with the pentacle, goat and 666 candles, inverted crosses on the cover of the IPhone x and the rapper on duty with the t-shirt of an 80's metal band because it's cool to be a pseudo-Satanist... all this has brought black artists looking for a new way of provocation and self-placement on the "bad" side and the swastika has taken hold as it is not justifiable in the eyes of the mainstream in any way... and only condemnable and therefore fully embodied everything we wanted and we sought to go back to being the ugly and evil ones dressed in black with studs and no longer satanists but nazis. This has certainly created a boom in groups and gangs that put themselves under the NS banner, but it has also created confusion because many of these groups are not really National Socialist, not even Nationalist... just looking for a spotlight. to enlighten them for a second, and since they can't musically prove it by making statements that can attract the indignation of the majority. This vicious circle, however, has sacrificed many bands and realities that actually have an idealistic and political substance within them. In fact, now if we go to an aesthetic analysis, the truly militant bands have been gradually abandoning the image of hard and pure black in the name of industrial tacos and corpse paint to assume a more militant aesthetic and closer to a more stage nshc or finally . post-skinhead. In fact, today if we go to an M8l8th event (in my opinion one of the most brilliant and serious bands out there at the moment, both musically and militantly and content-wise) or Peste Noire de Famine we will find some old blackster disheveled and out of date but above all we will find many types that aesthetically can be contextualized absolutely within the casual stadium movement or in any case much closer to the Nipster aesthetic. All of this is not only a sacrosanct and physiological evolution of a movement that is moving further and further away from the black classic that is culturally and morally degenerating, but it is also a necessity that takes content as the main axis of the movement, bringing ns blackster itself closer to to be black metal hooligans instead of old blacksters because in the militant environment there are aesthetic codes that must be respected. And this... I like it.

3. When and how was Mudrum formed? Why the name?

The Mudrum project was born in a particular period of my life, a period that deeply marked my personal path, both musically and personally, everything comes to life during a long period of house arrest for a serious crime (a period that in different modalities from the beginning or with more freedom, but that is still ongoing in fact I am still serving the sentence for which I have been sentenced) I was sentenced to 13 years in the first instance, then the sentence was reduced to a total of 5 years and 8 months for attempted murder aggravated (reasons related to racial hatred) however, during the second phase of my detention, that is the one I had to spend no longer in prison but in house arrest later at home, as a pastime against boredom I went back to writing music that actually I hadn't done it for many years, I've played in numerous bands throughout my life playing the most varied instruments (which has allowed me to technically manage all the instrumental parts of the Mudrum project) I played mainly hardcore/hatecore and oi! An almost obligatory choice given my long skinhead past, although I have not disdained some participation as a session player in some black and death projects that never had great resonance and notoriety. Instead, the skinhead scene allowed me to tour almost the entire underground scene in northern Italy and beyond. Back to Mudrum It was my love of black that gave me the unhealthy idea to plunge headlong into a one-manband solo venture as I later became the Mudrum project, it all really took shape when for fun and maybe even a bit to challenge myself i tried to write all the instrumental parts of a piece, a piece that becomes part of my first album, the "white side of darkness". The rest with time and dedication came alone, I love black metal and I listen to that mainly, although I'm not new to nshc and hatecore drifts, although I prefer to play these genres than listen to them, but let's say that then Mudrum because of how I You know, today it was born out of nothing and then I had to give it shape, finding in the texts full of racial hatred and volkisch culture a natural outlet for my thought and the ideology that I proudly carried against everything and everyone. As for the name Mudrum does not have a literal meaning, it should be a pseudo dialectal expression with which cryptics of the local Ligurian Apuan tradition identify themselves, although the language of Ligurian Apuna has not yet been fully studied by experts, in fact , the meaning is still discussed and revised, it still has a mystical, dark and mysterious connotation.

4. What are your inspirations, both ideological and musical?

But look musically, the sources of inspiration that I am going to draw from are always different and changing, certainly starting from the classics of black and specifically from the nsbm, but if you go to search my beautiful playlist, you will find in sequence totenlieder of Absurd with ab. Fidelis origin by baise ma hache, followed by the first demo by Vouïvre and then revenge or conqueror. I really like the French scene from the obvious plague noire to alcest, I particularly like French black metal, in fact I really like writing lyrics in French, lately I've been listening with interest to a Russian band that writes in French, the Passeisme. Apart from the newly released stuff, I really appreciated the work of the fairra released last year, if I'm not mistaken, let's just say that I really like to look for ideas in emerging bands, because they usually have a real energy that surf bands often run the risk of losing moving forward in time. Ideologically, instead, I find ideas in all of Western classical literature from Schopenhauer to Plato to more recent and ideologized study material such as Brasillach, Celine and obviously the classics of the area such as D'Annunzio.                                                    Lately I've been reading ragnar redbear and Maspero with pleasure, but also lighter and goliardic things like svart jugend... to quote one of his maxims that represent a lot to me "manesque children all read Dostoevsky"... well, it's a beautiful image.

5. What can you tell us about the registrations to date or future registrations?

At the moment I can't tell you when and how I will produce new material, my second album will be released very soon, which will come out with Winter solace, it will be an agglomeration of raw and aerial philosophy and war futurism in an old fashioned nsbm key, after this album there will be a of my cover songs in a tribute album to the compatriots via dolorosa but after these projects I don't want to give myself other deadlines... in the future we'll see, I don't want to say too much, certainly the mvdrvm project doesn't end here, in fact, yet they will hear about me...

6. Tell us a little about the song L'Impracticabilité Irréaliste de l'égalité" (We can appreciate an elite sound composition).

You chose one of the songs that best represents me, the riff and the purely musical part was born from the fusion of two guidelines that I had written down studying some guitar sections, then the drum part came alone, on the other hand the lyrics are much more visceral and refined, I was studying some songs of the French pro-Nazi militias like "le chant di diable" and I was inspired by them, also taking as a reference some popular beliefs that feed the myth linked to the Leibstandarte, and the result is more how satisfying!

7. You will participate in the compilation “The Horde Unleashes Anger. Vol. 2. What are your expectations for the release?

My expectations are very high since, in each of my releases, I put my blood body and soul into the music and what I do and therefore the expectations are always very high, I was in contact with these guys who proposed this work together and finally materialized, I hope I have lived up to it, however, I am proud to have participated in such a project... every opportunity is good to spread the seed of national socialist black metal!

8. Tell us a bit about Mudrum's lyrics... What is your inspiration when you write? Could you share with us a fragment of one of your texts?

Look at my texts until they are almost always reinterpretations of essays or political writings, almost as a personal point of view on a certain topic, although many instead of talking about politics get lost in the labyrinth of Western and especially European esoteric culture, but in In any case, personal writings remain almost like a philosophical treatise on a previously chosen topic.

9. How is the composition and registration process ?

It all comes out very naturally, usually I start with a guitar riff, then on the desk I create the different guitar parts, then I adapt everything with the drum lines, sometimes I add the bass before moving on to the synth and ambient part. than me rub a long time. How much I hate keyboards and banal noises, so I'd rather insert nothing than a nasty harmonic loop. But that's it anyway.

10. Which labels were interested in representing Mudrum?

I must say that I was lucky because I received some proposals, but I decided from my heart to put political ideals before my wallet, in fact, I collaborate exclusively with labels deployed in the nsbm scene

11. Do you collaborate with other projects?

I have collaborated with many bands and if I have to say that my favorite is definitely the tribute voice that I recorded for Via Dolorosa, who are my compatriots, but in any case I do not disdain anything at the level of collaborations. The nsbm is a seed and should be planted on as many lands as possible to spread the word!

12. Finally a few words for the readers... Thank you for your time Edward D. It is a great honor for you to participate in the fanzine. Salve Mudrum!

But nothing special, I thank those who listen and support me, but above all those who still believe in National Socialist black metal because it is thanks to those who buy and support that bands like Mudrum exist!! So I feel like dedicating my greetings to you!

Sieg heil!

ARYANHORDE "Odio y Desprecio" (ARG.)

 

 

1. Antes de comenzar con lo estrictamente musical, Quiero agradecerte por formar parte de este primer lanzamiento de este Zine.

Por nada caballero, para eso es la camaradería.

 

2. ¿Cuándo y cómo se forma ARYANHORDE?

Aryanhorde se forma en el año 2010 como proyecto paralelo a Aesir.

3. Participaste de otros proyectos a lo largo de estos años.

A parte de Aesir, grabé con Sigfodur, Vrildom. También formé un nuevo proyecto llamado Tergum Hostis.

3. A_ ¿Podrías comentarnos cronológicamente cuales son esos proyectos?

Aesir es mi proyecto principal. El resto de mis proyectos, incluido Aryanhorde nacieron con el deseo de experimentar otras ramas del Black Metal.

Por ejemplo, Aryanhorde siempre tuvo su parte visual bien radical, como así también sus letras. Y en cuanto a lo musical lo situaría entre una combinación entre Der Sturmer y Absurd.

Sigfodur nace gracias a mi admiración por Xasthur, que es una de mis bandas preferidas.

Hace unos cuantos años también tuve proyectos como Eaglenest, Valfodreich, Rafnagud y Pagancult donde solamente salió un disco de cada uno. De esos proyectos destaco a Eaglenest que realmente fue muy bueno.

También formé parte de Uriburu y Throne Of Might.

Hoy en día mi proyecto más nuevo es Tergum Hostis que me parece muy bueno. En este proyecto estoy poniendo mucha dedicación a todo, desde la composición, líricas, sonido y producción en general.

Quizás surja algo nuevo, estoy grabando y experimentando con otras variantes del Black Metal, veremos que suceda.

Y para cerrar está Vrildom, es un proyecto, con el cual participe en su nuevo disco.   

3. B_ ¿Volverías a grabar con alguno de los proyectos o bandas por las cuales pasaste anteriormente?

De todos los proyectos y bandas en las que estoy involucrado, lo único que tendrá constancia es Aesir, Aryanhorde.- 

 

4. ¿Cuáles son tus inspiraciones, tanto en lo ideológico como en lo musical?

Aunque siempre estoy en constante búsqueda y aprendizaje, mi inspiración principal viene de la Alemania Nacional Socialista.

En cuanto a lo musical es un tema muy amplio ya que no solamente a la hora de hacer música me tiene que influenciar alguna banda, también puede ser una buena pintura o un buen lugar lo que me transmita la inspiración para componer.

Si bien escucho a los grandes clásicos del Black Metal como Burzum, Absurd, Branikald, Forest, etc. estoy prestándole mucha atención a Finlandia, ese país tiene unas bandas increíbles.

5. Hablemos sobre los registros auditivos que tienes hasta la fecha con ARYANHORDE…

5. A_ ¿Podrías hacer una reseña de cada una?

¡Destruye la perversión (2011) y Die Juden sind unser Ungluck! (2012) son dos trabajos de Black Metal bien extremo y crudo, no hay mucho más que agregar.  

Recién en Enemigos de Jehová (2021), Aryanhorde encuentra su rumbo y marca una diferencia totalmente notable y superior con respecto a sus dos trabajos anteriores.

5. B_ ¿Re-Editarías alguno de tus 2 registros anteriores?

En cuanto a reeditar, no se...no se me pasó por la cabeza. Quien sabe.

 

7. Hablemos del último lanzamiento de ARYANHORDE ‘Enemigos de jehová’

7. A _ ¿Qué puedes contarnos acerca de esta nueva descarga?

La vuelta de Aryanhorde fue a lo grande, además de entregar un disco bien radical en todo sentido, la diferencia con los trabajos anteriores es abismal. Aquí ya se puede notar que hay experiencia en cuanto a lo musical como a lo lírico. Siempre fui de la idea de crear discos que queden en la mente de quienes los escuchen, y con este disco eso se logró totalmente.

7. B _ ¿Cuántas copias hay de este material?

Este disco fue editado en tape por Argentum Records en una edición de 50 copias.

 

8. Háblanos un poco de las letras de ARYANHORDE …

8. A_ ¿Cuál es tu inspiración principal a la hora de escribir?

Las letras de este disco son totalmente directas y extremas, me influenciaron muchos los acontecimientos de este año que dejó ver bien en claro quién es una oveja obediente, un desertor, un traidor, etc. A eso le sumo también los temas que acostumbro a escribir, pero todo encarado desde una óptica bien directa.

 

 8. B_ ¿Podrías compartir un fragmento de una de tus letras con nosotros?

Imbéciles llamando la atención

Colmados de egoísmo y actitudes usureras

Amantes del oro y el poder

No saben de lealtad, por eso están afuera.

Un cordero de jehová que se arrastra y suplica

Clamando misericordia no merece piedad

El guerrero que supo ser hoy cae ante la cruz

Sintiendo compasión, pidiendo absolución.

Contra la enfermedad y la decadencia

Guiamos nuestra ira y nuestro odio

Contra su inclusión y degeneración comenzamos esta revolución.

 

9. ¿Cómo es el proceso de composición, grabación? 

Este disco lo compuse en menos de una semana. Tomo mi guitarra y simplemente sucede todo espontaneo.

 

10. ¡dentro y fuera del territorio argentino!

¿Cómo ves el NSBM en general hasta el corriente año?

El NSBM ha crecido muchísimo en Argentina. Están surgiendo muchas bandas de calidad y sellos que apuestan a ellas.

Con respecto al resto del mundo mucho no puedo decir, solo diré que han despertado un gran interés por lo que esta sucediendo en estas tierras. 

 

11. Visto que hay muchos proyectos/bandas que salen recientemente, ¡dentro y fuera del territorio argentino!

¿Hay alguno que te llame la atención y puedas recomendar?

Los compilados editados recientemente hablan por si solos. Ahí uno podrá encontrar muy buenas bandas.

No voy a nombrar ni recomendar a ninguna banda ya que los gustos de la gente varían, que cada uno descubra por si solo que le gusta mas o menos.

Fuera de estas tierras también vienen surgiendo muy buenas bandas. 

 

12. ¿Qué te llevó a editar material con ARYANHORDE después de 9 Años del último registro que fue ‘Die Juden sind unser Ungluck!’ de 2012?

El odio, el asco y el desprecio hacia mucha gente fue la razón por la que Aryanhorde volvió a sacar un disco.

 

13. ¿Hay alguna banda o proyecto con el cual te gustaría realizar algún Split?

Sinceramente no pienso en eso y tampoco me interesa mucho. Cada split en el que participé fue porque me lo propusieron. Obviamente descartando alguno que incluía solo proyectos míos.

 

14. ¿Cuál es tu opinión sobre los maricones que se intentan infiltrar en el NSBM?

Putos hay en todos lados, pero ¿que se quieran infiltrar en el NSBM?  me parece que son suicidas. Jajaja

 

15. En este punto dejaré que hagas la reflexión que desees y sobre lo que desees…

Aryanhorde es un proyecto que no se calla nada, le duela a quién le duela. Y si te sientes identificado con alguna letra, sin duda es porque fue escrita para vos.

 

16. Por último unas palabras para los lectores... 

¡Gracias a todos los que apoyan a Aryanhorde como a mis demás proyectos como a toda banda de Black Metal del país que valga la pena!

 

Le agradezco por su tiempo Azog. Personalmente es un gran honor tenerte con nosotros en el zine. 

 

Muchas gracias a vos por mostrar interés en Aryanhorde. Esta es la primera entrevista que se le ha hecho a la banda.

¡Salve ARYANHORDE!